lighting

 DESIGN & Gaffing

 

GAFFING WORK - Commercials & Videos

(scroll down for NARRATIVE WORK)

 

GAFFING WORK - NARRATIVE - TV 

(scroll down for FEATURE WORK)

 

GAFFING WORK - NARRATIVE - FEATURE FILMS

kin - 2018

premiering in theaters august 2018

Feature Film / 2nd unit GAFFER - LAs vegas

DP: Larkin Seiple / Dir: Johnathan and Josh Baker

Starring: Zoe Kravitz, Jack Reynor, Dennis Quaid

STEVEN SODERBERGH PRESENTS

Perfect - 2018

Feature Film / gaffer  

DP: Matthias Koenigswieser / Dir: Eddie Alcazar

hot summer nights - 2018

premiering in theaters august 2018

Feature Film / 2nd unit GAFFER - LA

2nd Unit DP: Michael Lloyd / Dir: Elijah Bynum

Starring: Timothée Chalamet, Emory Cohen, William Fichtner

ALL I SEE IS YOU - 2017   

Feature Film / GAFFER

USA PREMIERE OCTOBER 2017

*Premiere 2016 TOronto film festival*  (NOW ON BLU-RAY)

DP: Matthias Koenigswieser / Dir: Marc Forster

Starring Blake Lively & Jason Clarke

SUN DOGs - 2017

Feature Film / GAFFER

a netflix original

DP: Michael Alden Lloyd / Dir: Jennifer Morrison

Starring Michael Angarano, Allison Janney, Ed O'Neil, Jennifer Morrison

AFTER THE FALL - 2014

Feature Film / GAFFER

*Premiere BERLIN FILM FESTIVAL 2014*

DP: Matthias Koenigswieser / Dir: Saar Klein / Produced by Sarah Green

Starring Wes Bentley & Jason Isaacs

SAVE THE DATE

Feature Film / GAFFER

*Sundance 2012*

DP: ELISHA CHRISTIAN / DIR. MICHAEL MOHAN

Starring Lizzy Caplan, Alison Brie, Martin Starr & Mark Webber

   "Lighting is my first true filmmaking love.  I have always been fascinated by the shadows that add mystique to our stories, inform our fears, and engage the viewers on a subconscious level.  It's the one thing about filmmaking that still feels like magic to this day. As a gaffer, I've been able to work with so many inspiring cinematographers, directors, producers and crew members.  I've learned to surround myself with people that have GREAT taste and cultivate a lighting (and storytelling) style that is emotional and authentic and ultimately entertaining;  these collaborations have truly been my filmmaking education.   I love the true craftsmanship of lighting, the physics of it, the shaping of it, the progression of ideas from theory to the tools and back again.  I love that moment when all the prep work comes to fruition; all the references, all the discussions, all the choices.  Our talent steps to their mark and there it is, that's what our movie looks like."  ---ag